louis hockbiography |
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louis hockbiography |
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"Re-Mapping Cultures: Film & Media Arts," Whitney Museum of American Art, New York, 1992 (curated film program and screening - The Mexican Tapes: A Chronicle of Life Outside the Law)
San Diego: America's Finest? Public Questions in a Private City, Art in General, New York, 1992 (installation w/ Small, Sisco, Kirkwood, Kessler, Avalos)
"NHI" (No Humans Involved), Installation Gallery, San Diego, CA, 1992 (billboard, publication, exhibition, performance, panel, and media event w/Small, Sisco, Kirkwood, Kessler)
"By Any Means Necessary," Printed Matter Bookstore at Dia, New York, 1992 (book show w/ Small, Sisco, Kirkwood, Kessler, Avalos)
"Contemporary Photomontage," Kohler Art Center, Sheboygan, WI, 1992 (multimedia installation with Small, Sisco, Kessler, & Avalos - Welcome to America's Finest Tourist Plantation/America's Finest?)
"Travel Documents," Camerawork Gallery, San Francisco, 1992 (multimedia installation w/ Small, Sisco, Kessler, Avalos - Welcome to America's Finest Tourist Plantation)
"Murder as Phenomenon," Camerawork Gallery, San Francisco, 1992 (multimedia installation & performance w/ Small, Sisco, Kirkwood, Kessler - "NHI" (No Humans Involved)
"NHI - (No Humans Involved)," Highways, Los Angeles, 1993 (installation and performance w/ Small, Sisco, Kirkwood, Kessler)
"La Frontera - The Border," Museum of Contemporary Art San Diego & El Centro Cultural de La Raza, San Diego, 1993 then touring Centro Cultural Tijuana, Mexico 1993 and four U.S. museums in 1993/94 (multimedia gallery installation - Welcome to America's Finest Tourist Plantation/America's Finest?) w/ Small, Sisco, Kessler, & Avalos and a public art project - Arte Reembolso/Art Rebate w/ Sisco & Avalos)
"Working Histories," Los Angeles Center for Photographic Studies, Los Angeles, CA 1996
Friendly Fire, San Diego, 1996, commissioned by the Museum of Contemporary Art, Los Angeles (a public art project w/ publication, store/factory, website, and clothing series w/ Deborah Small, Elizabeth Sisco, Scott Kessler, Cheryl Lindley)
Friendly Fire, the Museum of Contemporary Art, Los Angeles, 1966 (an exhibition in the museum and bookstore w/ website w/ D. Small, E. Sisco, S. Kessler, C. Lindley)
"Continuity & Contradiction, A New Look at the Permanent Collection from the Museum of Contemporary Art, San Diego," Miami Art Museum, Florida 1996-97
"Summer Reading," Printed Matter, DIA Foundation, New York, New York 1997
inSITE97, Installation Gallery, San Diego, CA & Tijuana, B.C., 1997 (public art installation on the U.S. / Mexico border - International Waters / Aguas Internacionales)
"Taking it to the Streets," Spaces Gallery, Cleveland, Ohio 1998 (Welcome to America's Finest Tourist Plantation)
"3+" Museum of Contemporary Art, San Diego, 1998 (film - La Mera Frontera)
International Festival of Film, La Figueira da Foz, Portugal, 1998 (film - La Mera Frontera)
Society for Cinema Studies, national conference, San Diego, 1998 (film - La Mera Frontera)
Museo Nacional, Centro de Arte, Reina Sofia, Madrid, 1998 (video series - The Mexican Tapes: A Chronicle of Life Outside the Law)
Pacific Film Archive, Berkeley, CA, 1999 (film - La Mera Frontera)
Pimeria Historical Society, Nogales, Arizona, 1999 (film - La Mera Frontera)
Festival International de Cine de La Ciudad de Mexico, 1999 (La Mera Frontera)
Nations, Pollinations and Dislocations," Emily Carr Institute of Art and Design, Vancouver, Canada 1999 (film - La Mera Frontera)
Secret Agent, Digital Secrets Conference, Ariz. State University, 2000 (web-based collabortative project w/Lynn Hershman, Victoria Vesna, Shawn Brixley, Sharon Daniel, David Trend, Sheldon Brown, Robert Nideffer)
oracle@casa_de_cambio, Los Angeles County Museum of Art, "Made in California: 1900-2000" exhibition, 2000-1 (web-based interactive installation project w/ Small, Sisco, Kessler, and Avalos)
"Of Nearby Suns+Distant Stars," Terrain Gallery, San Francisco, 2001 (photos - Nightscope)
Ex Teresa Arte Actual, Mexico City, 2000-1 (video installation w/ greenhouse - Poinsettia)
"Object/Concept," University Art Gallery, San Diego, CA 2002 (installation - Pirámide del Sol)
La Panaderia, Mexico City, 2002 (installation - Pirámide del Sol)
"At Work: The Art of California Labor," San Francisco State University Gallery, 2003, 2 year traveling exhibition (bus poster w/Avalos & Sisco - Welcome to America's Finest Tourist Plantation?)
"Work Ethic," Baltimore Art Museum, 2003 (installation - Art Reembolso / Art Rebate w/Avalos & Sisco), traveling exhibition including Wexner Center 2004
"Only Skin Deep," International Center of Photography, 2003-05, traveling exhibition w/ corollary web exhibition,"Only Skin Deep Onlin" (photographs - Nightscope Series)
"Trienal Poli/Grafica de San Juan: America Latina y El Caribe," San Juan, Puerto Rico, 2004 (installation - Art Reembolso/Art Rebate w/Avalos & Sisco)
"How Can You Resist," 9th Annual Festival of Film, Video, and New Media, LA Freewaves at the Los Angeles Museum of Contemporary Art, 2004 (video installation - Feral)
Getty Center, Los Angeles, 2004 (installation - Southern California: a cine mural)
Film Forum, Los Angeles, 2004 (La Mera Frontera and various video projects)
Center for Contemporary Art. Tel Aviv, 2005 (single channel video - Feral)
Corriente Hipermediatica Experimental Latinoamerica, Buenos Aires, 2005 (one channel - Feral)
Encuentros International de Espacios Independientes, Valpariso, 2005 (single channel - Feral)
Casa de Cultura de España, Buenos Aires, 2005 (single channel video, Feral)
"Potentially Harmful - The Art of American Censorship," Georgia State University, Atlanta, 2006 (Welcome to America's Finest Tourist Plantation)
"Louis Hock: Constructed Evidence," University Art Museum, California State University Long Beach, 2006 (Pirámide del Sol, Nightscope Series, Shelter, American Desert)
Money Changes Everthing, Schroeder Romeo, New York 2006 (installation - Art Reembolso/Art Rebate w/Avalos & Sisco)
The Message is the Medium, Jom Kempner Fine Arts, New York 2006 (Nightscope Series)
"Communism of Forms," Galeria Vermelho, San Paulo, Brazil (Sex Machine) 2007
"Sister Cities Testing Boundaries," El Paso Museum of Art, Texas 2007 (Nightscope Series)
"Field Work," University Gallery, San Diego State University, CA 2007 (Nightscope Series + Pirámide del Sol)
Eyebeam Gallery, New York, 2009 (single channel video, Feral)
"Niet Normaal," Beurs van Berlage, Amsterdam 2009 (single channel video, Feral)
Montalvo Arts Center, San Jose, CA 2009 (video & sound installation, Feral, and installation with The Mexican Tapes: A Chronicle of Life Outside the Law and Sketches for the American Tapes)
"Civic Statues," Museo Reina Sofia, Madrid, Spain 2009 (single channel video, Feral)
"The Future Lasts Forever," Camerawork, San Francisco, CA 2010 (Nightscope Series)
"State of Emergency," Lumiar Cite, Lisbon, Portugal 2010 (single channel video, Feral)
"America Latina: Arte y Confrontacion, 1910-2010," Museo del Palacio de Bellas Artes, Mexico City 2011 (installation - Art Reembolso/Art Rebate w/ David Avalos & Elizabeth Sisco)
"Pacific Standard Time," Getty Center, Los Angeles, CA 2011 (site specific video installation based on the 1979 cinemural, Southern California)
Tom Bradley International Terminal, LAX 2012 (29 channel permanent video installation, Homeland)
Morelia Film Festival, 2012 (4 one-hour HD video episodes, THE AMERICAN TAPES)
"Art and Politics," Art in America, Mark Durant, July 1992
"Exploring the Border Experience," Los Angeles Times, Chris Knight, March 13, 1993
"Aliens Get Handouts; Artists Call It Art," The New York Times, Seth Mydans (front page), August 12, 1993
"Cuando los Billetes se Converten en Arte," El Universal, Carlos Ferreyra Hernandez, Mexico City, August 14, 1993
"When Legal Tender Hits a Sore Spot," Los Angeles Times (Orange County Edition), Cathy Curtis, August 17, 1993
"Bait or Tackle?," a+t, ART+TEXT, John Welchman, NO. 48, May 1994
"Public Exposure," Afterimage, Cylena Simonds, Vol. 22, No.1, Summer 1994
"Collaborative Public Art and Multimedia Installation: David Avalos, Louis Hock, and Elizabeth Sisco's 'Welcome to America's Finest Tourist Plantation,'" Ondine Chavoya in The Ethnic Eye, edited by Chon Noriega and Anna Lopez, University of Minnesota Press, 1994
"The Invisible Town Square," Robert Pincus in But Is It Art?, The Spirit of Art as Activism, edited by Nina Felshin, Bay Press 1994
"Resisting the Dangerous Journey: The Crisis of Journalistic Criticism," Michael Brenson, The Andy Warhol Foundation for the Visual Arts, Paper Series on the Arts, Culture, and Society, Paper Number 4, April 1995
Contemporary Art and Multicultural Education, edited by Susan Cahan and Zoya Kocur, Routledge, New York and London 1996
"Vested Interests of 'Friendly Fire,'" Los Angeles Times, Leah Ollman, August 7, 1996
"Into the Fray, But Not Without Protection," Los Angeles Times, Calendar Magazine, Leah Ollman, August 25, 1996
"'Friendly Fire' in San Diego," Artweek, David Lewinson, October 1996
"Friendly Fire," New Art Examiner, Jacqueline Cooper, November 1996
"You are What You Buy: 'Friendly Fire' and the New Public Sphere,"Afterimage, Marita Sturken, January/February 1997
"Report from San Diego," Art in America, Leah Ollman, July 1997
"Cabalga el arte la frontera," Reforma, Blanca Ruiz, September 26, 1997
"inSITE, Outta Sight," The Los Angeles Times, Christopher Knight, October 4, 1997
"Potent border show tears down barriers," The Globe & Mail, Sarah Milroy, Oct. 11, 1997
"La Fronteras," Arte I, Jose Manuel Valenzuela Arce, November 9, 1997
"Crossing Borders," Artweek, Victoria Martin, November, 1997
"San Diego-Tijuana," Art Nexus, Magali Arriola, Jan.-March 1998
Art, Activism, and Opposionality: Essays from AfterImage, Grant Kester, Duke Press, 1998
"Onview," New Art Examiner, Timothy Nolan, February, 1998
"Negotiating Boundaries," (interview) Sculpture, Sandra Wagner, February, 1998
"Crossover Dreams," Art in America, Kurt Hollander, May 1998
"At the Gates," Canadian Art, Dot Tuer, Spring 1998
On the Beaten Track: Essays on Domestic Tourism, Art, and Place, Lucy Lippard, New Press (New York), 1999
Dialogues on Public Art (interview), Tom Finkelpearl, MIT Press, 1999
Art Matters: How the Culture Wars Changed America, edited by Brian Wallis, Marianne Weems, and Phillip Yenawine, New York University Press, 1999 (photos)
"Public Art and the Spectacle of Money: An Assisted Commentary on Arte Reembolso /Art Rebate" in Art After Appropriation: Essays on art in the 1990's", John Welchman, Breach & Gordon, London 2000
Command Performance, An Actress in the Theater of Politics, Jane Alexander, Public Affairs, New York, 2000
Reading California, Art Image and Identity, 1900 - 2000, University of California Press and Los Angeles County Museum of Art, 2000
"Art Rebate and Virtual Public Art, " John Welchman in Intervention: Issues in Installation and Site- Specific Art, edited by Erika Suderburg, Universtiy of Minnesota Press, 2000
Modern Art in the USA, Issues and Controversies of the 20th Century, Patricia Hills, Prentice Hall, 2001
"Urban Counter-Images: Community Activism Meets Public Art," Deborah Karasov in Imagining the City, edited by Lawrence and Sam Bass Warner, Rutgers, 2001
"Making Waves," Women's Studies International Forum, Margot Leigh Butler, Vol. 24, No.3/4, 2001
Latino Images in Film: Stereotypes, Subversion, and Resistance, Charles Ramirez Berg, University of Texas Press, 2002
El Recurso de la Cultura. George Yudice, Duke University Press, 2002 (Spanish Edition)
Art and Money, Katy Siegel and Paul Mattuck, Thames and Hudson, Ltd, 2003
The Expediency of Culture: the Uses of Culture in the Global Era, George Yudice, Duke University Press, 2004 (English version)
Trienal Poli/Grafica de San Juan: America Latina y El Caribe, Instituto de Cultura Puertorriqueña, (catalog) 2004
Potentially Harmful - The Art of American Censorship, Georgia State University, Atlanta, (catalog) 2006
Louis Hock: Constructed Evidence, University Art Museum, California State University Long Beach, (catalog) 2006
"Money Changes Everything," Ken Johnson, The New York Times, July 14, 2006 (art review)
"Previews of Exhibitions," Sherle Gottlieb, Art Scene, September 2006 (Vol. 26, No. 1)
"Crossing into Social Issues," Cynthia Dea, Los Angeles Times, Calendar Weekend Magazine, September 21, 2006
"Tom O'Day, Louis Hock, Fantasy Islands," Peter Frank, LA Weekly, October 6-12, 2006
La Era de La Discrepancia / The Era of Discrepancies, ed. Olivier Debroise, Universidad Nacional Autonoma de Mexico, 2006
"Review," Colette Chattopadhyay, Sculpture, April 2007 (Vol. 26 No. 3)
"Art Review," Robert Pincus, San Diego Union-Tirbune, April 20, 2007
Art and Today, Eleanor Heartney, Phaidon Press, London 2008
The Art of Participation 1950 - Now, SF Museum of Modern Art, James and Hudson 2008
Arte ≠ Vida: Actions by Artists of the Americas 1960-2000, ed. by Deborah Cullen, El Museo Del Barrio 2008
"Art and Money," LAPIZ International Art Magazine, Juan Antonio Ramirez 2009
"Artworld Money," Sleek Magazine, April 2010
"Pacific Standard Time Inspires Very Different Shows," Richard Chang, Orange County Register, October 14, 2011
Rockefeller Media, California Council for the Arts, National Endowment for the Arts, American Film Institute, Art Matters, Inc., UCMEXUS, and others
